Review: Hatchet 3 (2013)
Review by Disgruntled Monkey
Director: BJ McDonnell
Starring: Danielle Harris, Kane Hodder, Zach Galligan
Writer: Adam Green
At the end of Hatchet
3 it occurred to me that there was no real story that I could mention. It’s
all basic set up to get the characters in the swamp and then starting the FX
reel. Suggesting that this third installment has
even less plot than the first two is an understatement, no, actually more of an amazing feat of illogic; as the first two
movies have the thinnest of plots to begin with.
This is the real gatekeeper when it comes to the enjoyment
of this film. If you need characterisation or anything story based to enjoy a film then I suggest just moving on.
It is kind of a shame though as the special
effects are quite gory and impressive. Framing
them with a more robust plot might have drawn some more
people in, then again this is the third in a series
and it’s just keeping pace with what the
previous films have set up.
Victor Crowley is still a monstrous force and is memorable
enough to at least claw his way close to the pantheon of horror icons, however,
his lack of personality never truly gets him
over the line. Like-wise his nemesis Marybeth, played by Danielle Harris, is
actually quite an enjoyable character while never seeming to reach her full potential. In
particular number 3 kind of has her split from the main action and it does hurt
her inevitable confrontation with Crowley .
Other than these two everyone is pretty much fresh meat with the occasional
funny one liner thrown in for garnish.
Gee Victor! Compensating for something? |
The highlight of all Hatchet
films is the gore effects and like its previous entries this movie delivers. Right from the get go we have a man
cut in half with a chainsaw and it doesn’t really let up from there. Everything
is practical and it does give it a very old school type feel. Most importantly
the violence never really delves into the cruelness of the so called ‘torture
genre’. Hatchet has its tongue
planted firmly in cheek and it asks its audience to enjoy the chaotic ride.
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