Review: The Girl with the Dragon Tattoo (2011)
“Soon you'll know us all too well, with my apologies.”
Director: David
Fincher
Actors: Rooney
Mara, Daniel Craig and Christopher Plummer
Writers: Steven
Zallian
David Fincher is back with the feel bad movie of the season.
I was very interested in what he would bring to this remake/adaptation. Naomi
Rapace had left such an impression as Lisbeth Salander, it was going to be a
hard job for whomever was going to take the role. So was the creative might of
Fincher used to its fullest, or did it fail to deliver anything significant.
The first significant thing that Fincher delivers is a
brilliant visual quality creates an ever present feeling of gloom. Truly an
improvement over the original movie, but for a Fincher movie there aren’t as
many camera flourishes as normal. I’m guessing that by toning down his own
style, there was an attempt to truly concentrate on the atmosphere. However
while I was still taken in by the visuals I wanted more of what Fincher
normally delivers.
Acting wise we yet again have an improvement. Daniel Craig
is fantastic as Mikael Blomkvist, and gives a nuanced performance. Blomkvist
seems like a truly broken man desperate to find redemption. Rooney Mara excels
as Lisbeth Salander and plays her much more down beat. Coming off more fragile,
her sudden bursts of violence do jar, and are therefore is more impactful.
Rooney also manages to create a more developed persona, and this fleshing out
yet again makes the more incredible parts of the character stand out. All the
other actors are just as good in their roles, but it’s truly Daniel Craig and
Rooney Mara at the centre of everything.
Now we come down to the weakest element of the movie, and
that’s the script. Now it’s a very serviceable script, and manages to fine tune
the movie so it’s a lot smoother. A few plot elements are dropped but they were
just convoluted to begin with. Where I was disappointed in this regards, was
just a lack of added depth from Fincher. In all of Fincher’s movies there seems
to be layers to delve through but in this case there’s just the plot.
Considering the source material on offer there was a lot Fincher could have
done, especially exploring darker elements. While this doesn’t trash the movie,
it certainly makes this a lesser work of David Fincher.
On a more nit picky level, the music while good (I want to
get the soundtrack) was only good by itself. In the movie it was too obtrusive,
and sometimes wrecked the scene I was watching. Atticus Ross and Trent Reznor
are a good team, but this was just a wrong call. Also I’m not sure what the
idea behind the opening credits was but it’s completely misplaced. Don’t get me
wrong, it’s the best music video I’ve watched in a while, but it just sets the
wrong tone.
If you’re after a stylish thriller then this is a good port
of call. David Fincher gives us a solid film with some great performances, but
when compared to the rest of his films there is something lacking. I’m not
really sure if having this was a worth while remake, but we’re not poorer for
it. Give this a try, just don’t expect too much.
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